#Daemon x machina voice actors software
The developers at Gearbox Software do their best to avoid that franchise fatigue by finally allowing players to leave Pandora and travel to four other planets, each of which has its own enemy types and architectures. But after a few hours, the novelty of their class mechanics wears off, making the remaining 30 hours of the game’s campaign a tedious retread of everything you’ve seen and done before in the series. There’s Zane, the Irish-accented Operative who has the ability to swap places with his own digital decoy FL4K, who permanently gets a beastly companion Amara, who has status-afflicting Siren magic and Moze, a mech-riding Gunner.
#Daemon x machina voice actors series
There’s plenty of first-person shooting and punching, but very few punchlines, unless you count the forlorn last words of slain foes, such as “I never took up painting!” and “Jokes on you…I was in massive debt!”Īfter three games-four if you count the non-FPS Tales from the Borderlands-the Borderlands series really might not have anything left to say, even if it does offer you the opportunity to choose between four new protagonists, each with their own unique action skills. It’s all just endless references to popular culture, which is why you get random side missions that just mash together a panoply of things, like the one where you enter a Bachelor-like dating competition that’s decided with a Fortnite-like battle royale. Yes, that’s Penn Jillette’s voice, and he’s joined by a bunch of outstandingly over-the-top voice actors, but no aspect of Borderlands 3 is ever really saying anything of import. Over the course of nearly 100 missions designed primarily as loot-delivery systems, you’ll meet a stand-in for Tommy Wiseau at the Sin-A-Plex, overload a bandwidth-throttling CPU by uploading “dank” memes, and kill the murderous carnival hosts Penn and Teller, err, Pain and Terror. Borderlands 3 is boorish, infantile, and violent, and, in refusing to take any sort of consistent stand, is wildly off the mark. This makes for shotgun satire that’s loud but scattershot. Instead of commenting on modern-day America, the game essentially just mirrors it, wrongly thinking that an exaggerated tone is a suitable substitute for an actual opinion. Futuristic settings in many works of fiction often exist for creators to reflect on the present, but Borderlands 3 takes that approach much too literally.
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